Sara Andreasson is a Swedish illustrator and designer based in South East London, UK.

            about      work



Personal, 2022

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Illustrations for an article about the feeling of ecstacy for ZEIT Wissen, 2022

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Illustration for The New York Times Book Review of The Rabbit Hutch by Tess Gunty, 2022

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Horoscopes, 2022

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Poster designs for Théâtre du Châtelet in Paris, 2021-2022

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Poster design for Théâtre du Châtelet in Paris, 2021

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Illustration for The New York Times Book Review of ‘Bad Thoughts’ by Nada Alic, 2022

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Nike (M) about training whilst pregnant, 2021

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Illustration for The New York Times Book Review of ‘How To Be a Revolutionary’ by C. A. Davids, 2022

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Personal, 2021

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Ace & Tate, 2021

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Personal, 2021

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Tarot inspired illustrations about motherhood for Essity, 2021

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Personal, 2020

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Vogue Greece, for an article about helping your community, 2021

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Cover illustration for Ottessa Moshfegh’s short story The Imitations, published in Apartamento Magazine, 2021

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Personal work, 2020

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Hohe Luft, 2020

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Series of prints and mirrors exploring fan fiction, exhibited in Treviso, Italy, 2019

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Personal, 2020

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Nike, 2020

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Book cover design for the Penguin Essentials edition on Submarine, by Joe Dunthorne, 2019

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Internation Women’s Day for It’s Nice That, 2019

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The New Yorker, 2018

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Personal work leading up to the General Election in the UK, 2019

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Illustrations for Spotify, for a campaign about differing music tastes in the same household, 2020

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The New York Times Kid’s Section article about the departure of Harry and Meghan, 2020

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Nike, 2020

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Personal, 2020

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HuffPost about living with pain, 2020

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The New York Times about childcare during the COVID-19 Pandemic, 2020

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GUCCI x R29, 2019

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Le Monde, 2018

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For The New York Times, on How To Get Strong, 2018

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VISA, 2018

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Svensk Bokhandel, 2018

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The New York Times Opinion about the hardships of summerin the city, 2018

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Animated short film for Selfridges about Sustainable fashion, 2017
Directed by Anna Ginsburg

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For Le Monde about how fashion intersects with art, 2018

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Le Monde, 2018

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Personal, 2018

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The New Yorker, 2017

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Valentine’s Day inspired work for Polyester Zine, 2017

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Personal, 2017

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The New Yorker, 2017

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Personal, 2017

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Mosaic Science, 2017

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Title card for short documentary about the last dog racing track in London, and the community surrounding it, 2017 

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Personal, 2017

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Personal, 2017

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Personal, 2017

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Refinery29, 2017

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Series inspired by the film Clueless, exhibited at Nina Sagt Gallerie, Düsseldorf, Germany, 2016

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